Chris Bates Quartet Night at Jazz Central, January 11

in Guitar Performance from the University of Minnesota-Morris and studied with Roger Brotherhood, Jaime Guiscafre, and Tim Sparks. He relocated to New York in 2000 where he became involved with the BMI Jazz Composers Workshop, where he was trombonist with the BMI/New York Jazz Orchestra until 2016. He shares a recent McKnight Award with his cohorts in the Atlantis Quartet. After earning his BA at the University of Northrn Iowa, JC went on to the New England Conservatory where he earned at DMA in Jazz Studies. He composes and arranges for solo guitar and small ensembles, drawing on jazz, classical, folk, ambient, and acoustic fingerstyle traditions. Noted Richard Brody in The New Yorker, “In free rhythm, his shimmering cymbals recall Sunny Murray’s work with Ayler; the tom-tom groove is like the one Ed Blackwell got with Coleman; and, when he plays on an ethereally introverted modernistic piece, he sounds like a one-man Art Ensemble of Chicago, ready to use anything for the right sound—chopsticks, chains, his hands, and even the nub of a drumstick, which he rubs on cymbals to make them whisper as if butterflies were beating their wings upon them.”
Put on your improvising ears and come down (to the basement!) to Jazz Central Studios for some new music magic. Chris Bates © Andrea Canter
Jazz Central Studios in Minneapolis has been an incubation chamber for modern jazz artists since its founding in 2010. Wednesday nights in particular have been reserved for talented improvisers and composers under the guidance of a revolving cast of artist/curators, including bassist Chris Bates. Full schedule at http://jazzcentralstudios.org   Hear more of Chris Bates performing the music of Horace Silver with Doug Haining at Jazz Central on January 13, and with the Solomon Parham Quintet at the Black Dog on Saturday, January 14. About a year ago, JT launched a new project, a B-3 organ trio dubbed Grain. He was one of four jazz artists to be awarded a composition commission from Zeitgeist, which was premiered at the 2014 Twin Cities Jazz Festival. Thomas Nordlund © Andrea Canter
Guitarist and composer Thomas Nordlund holds a B.A. JT Bates © Andrea Canter
J.T.  
Jazz Central Studios is located at 407 Central Av SE in Minneapolis. In addition to performing as a solo artist, he is an active sideman with Chris Bates (Red 5), Sarah Morris, the Jana Nyberg Group, Moon and Pollution, Gesualdo, Andrew Foreman, and the Byron Johnson-Blanchard Quartet, and has performed at venues throughout the Midwest including the Dakota, Artist’s Quarter, Aster Cafe, 331 Club, Red Stag, Barbette, and Honey. His 2017 JC4 release Can You Believe It was just celebrated in New York at Shapeshifter Lab, and will hold its Minnesota release at the Icehouse on January 23 with Sanford, Zacc Harris, Chris Bates and JT Bates. In addition to curating his Jazz Implosion series on Monday nights at the Icehouse, JT often appears on the Icehouse stage with such musicians as brother Chris, Dave King, Brandon Wozniak and more. He was a member of Motion Poets and has worked with a variety of Latin, electronic, and experimental ensembles, including Bryan Nichols’ Quintet and Trio, Chris Bates’ Red Five, Fat Kid Wednesdays, the Zacc Harris Group, and The Pines. He’s led his quartet, JC4 and the improvisational trio Triocracy. Bates is one of the busiest drummers in the Twin Cities, on and off the bandstand. His monthly “Magica Improvisada” series continues on January 11 (8:30 pm) with a newly assembled quartet with guitarist Thomas Nordlund, brother and drummer JT Bates, and New York transplant trombonist JC Sanford. JC Sanford
Trombonist JC Sanford has spent much of his career conducting the bands of Alice Coltrane, John Hollenbeck, Joel Harrison, Alan Ferber and more. A nonprofit venue for performance and education, Jazz Central requests a $10 donation to support the artists and venue. Chris studied at the University of Wisconsin–Eau Claire and later with Anthony Cox, was an original member of the Motion Poets, and a 1999 McKnight Composer Fellow. Chris Bates © Andrea Canter
Chris Bates is well known locally for his affiliations with the Atlantis Quartet, Red Planet, Volcano Insurance, Framework, How Birds Work, Tall Tales, Leisure Valley, Pushing Chain, Bill Simenson Orchestra, Adam Meckler Orchestra, and many other cutting edge ensembles in addition to his own bands, the Good Vibes Trio and Red Five, both of which released debut albums in the past few years. He recently revived another vibes trio, Low Blows, launched a trio with Joe Strachan and Matt Buckner (now Miguel Hurtado), and curates a monthly improvisation series at Jazz Central, one Wednesday night per month. When not conducting, he’s been busy composing and arranging for his own ensembles, and curating Size Matters (large ensembles series in the Tea Lounge in Brooklyn).

Thursday Night Jazz at Reverie: Double-Header With Julian Manzara, Aaron Hedenstrom on January 12

Kameron Markworth
Bassist, composer, and teaching artist   Kameron L. Paul. Drew Stinson   studies bass McNally Smith College of Music. A graduate of the Minnesota Institute for Talented Youth and Minnesota Youth Jazz Band, Aaron attended the jazz program at the University of Wisconsin-Eau Claire, performing in the pop/rock band Underdub and with the John Raymond Project. No cover but tips appreciated ($10 suggested) to support the musicians and the weekly series. Locally, he performs in multiple groups, and recently played drums in a production of   The Buddy Holly Story.   He also performed as a freelancer in the Dallas/Fort Worth Metro area before returning to the Twin Cities in 2015. Paul, MN who received his degree in Percussion Performance from McNally Smith College of Music in 2014. Geo has performed in New York City, Denver, Green Bay, Nashville, and beyond. Aaron has released two recordings to date:   A Symphonic Jazz Hip Hop Experience   was the tantalizing title of his debut recording with his Aaron Hedenstrom Orchestra, released in 2010, bringing together a long list of young area musicians. He returned to the Twin Cities to finish his degree (in Guitar Performance) at McNally Smith College of Music, and currently performs, composes and is developing a home recording studio. Larson earned his Master’s Degree in Jazz Studies from the University of Illinois (Champaign-Urbana), where he studied with renowned drummer Dana Hall. As a performer, Kameron has supported artists in diverse genres across North America and has appeared on stage alongside John Swana, Jamey Aebersold, Steve Houghton, Corey Christiansen, Pat Harbison, Mike Hackett, and Luke Gillespie. Levi Schwartzberg © Andrea Canter
Levi Schwartzberg, another Minneapolis native, is in his third year at the University of Minnesota where he is majoring in physics and playing keyboards and vibraphone in U of M jazz ensembles. Full jazz schedule at www.thursdaynightjazzatreverie.info
 
 
 
 
  In addition to his college bands, Levi plays in a wide variety of local groups, including Sound Skirmish, Adam Linz’s Le Percheron, Central Standard Time, and Davu Seru’s No Territory Band, along with his own ensembles. Thursday Night Jazz at Reverie Presents Julian Manzara and Aaron Hedenstrom
 
The usual format for the Thursday Night Jazz at Reverie series has been pretty simple — one band at 9 pm. About two years ago, he opened an evening at the Black Dog with the debut of Ramtrack, a trio with guitarist Nordlund and trumpeter Jake Baldwin.   After graduation, Aaron moved on to the master’s degree and then the doctoral programs at the University of North Texas, serving as a Teaching Fellow, performing in the famed One O’Clock Lab Band, and accumulating a long list of Downbeat Student Awards. He’s appeared at the Black Dog with Paul Harper’s Bardo Quartet and Steve Kenny’s Central Standard Time, and at Reverie with the Lars-Erik Larson Trio. Markworth   is a graduate of Indiana University, Augsburg College, and McNally Smith College of Music, currently teaching Jazz History at Augsburg.  
Aaron Hedenstrom Trio
Aaron Hedenstrom © Andrea Canter
Born in Lesotho (Africa) and raised in the Twin Cities, saxophonist Aaron Hedenstrom performs with his trio featuring bassist Kameron Markworth and drummer Lars-Erik Larson. A Minneapolis native, Julian studied at the Berklee College of Music before heading out on tour with the rock band The Lone Crows. Baker. He previously served as an Associate Instructor at Indiana University in the Jazz Studies department under the direction of the late Dr. David N. Lars maybe best known as the leader of   Mancrush, with Bryan Nichols, Brandon Wozniak, and Zacc Harris. Mancrush released its first album this spring,   Authentic Midwestern, boasting Larson’s penchant for melding the influences of folk music and modern minimalism with 21st century jazz improvisation. In addition to playing bass for the Julian Manzara Quartet, Drew is a founding member of Sound Skirmish, a quartet with Patrick Adkins, Levi Schwartzberg and Ben Ehrlich recently heard on the Jazz Central stage. Lars-Erik Larson © Andrea Canter
Lars-Erik Larson   is a drummer and composer based in St. He formed the quartet as an outlet for his original, wide-ranging compositions about one year ago, and has brought the ensemble to Jazz Central, Black Dog and Reverie.  
Julian Manzara Quartet
Julian Manzara
Guitarist and composer Julian Manzara leads a quartet of Young Lions–Levi Schwartzberg on keys, Drew Stinson on bass and Geo Randall on drums.  
Reverie Bar and Cafe is located at 1931 Nicollet, at the corner of Nicollet and Franklin on the near southside of Minneapolis. Supported through a successful Kickstarter campaign, he released   A Moment of Clarity on   Shifting Paradigm Records in 2014. He has performed at top-tier music venues and festivals nationwide including the Dakota Jazz Club, Snug Harbor, Scat Jazz Lounge, Next Generation Jazz Festival, and the Eau Claire Jazz Festivals. Curator Steve Kenny expands that format this week, presenting two bands back to back: The Julian Manzara Quartet at 9 pm, followed by the Aaron Hedenstrom Trio at approximately 10:30 pm. After completing his degree in 2012, he moved to the Twin Cities where he has played with many local bands, including the No Coast Quintet, Zacc Harris Trio, the Thomas Nordlund Group, Bryan Nichols Trio and more. Geo (Geoffrey) Randall   is a young and upcoming drummer living in St.

Andrew Walesch Big Band Celebrates Sinatra at Crooners, January 12

Andrew Walesch © Andrea Canter
Whether recording jingles, producing shows, composing and arranging, or singing as a solo artist and with big bands all over the country, Andrew Walesch is known for his unique approach to   The Great American Songbook. John’s University in Collegeville, MN, he has sung and played on the stage of The Bluebird Cafe in Nashville and the legendary Chicago Theater, and has appeared on the nationally syndicated broadcast, Mountain Stage,   on NPR. Tickets $10; full bar and dining service available. www.croonersloungemn.com Andrew Walesch and his Big Band © Andrea Canter
Still in his late 20s, singer/pianist/bandleader Andrew Walesch has become a major player on the Twin Cities Jazz Scene in very short order. His Andrew Walesch Plus Nine was recorded at MPR’s Studio M and released in fall 2015. On Thursday, January 12, 7:30 pm, Walesch brings Sinatra back to Crooners. Walesch regularly appears with his trio and quartet, curates jazz at Crooners Lounge (including the intimate Dunsmore Room), and has drawn sell-out crowds to “100 Years of Sinatra” tribute with his big band.  
Crooners Lounge is located at 6161 Highway 65 NE (Central AV NE) in Fridley, just north of I-694 and about 20 minutes north of downtown Minneapolis. Andrew Walesch Big Band © Andrea Canter
Rather than channeling Sinatra, Walesch offers his own jazz interpretations of the Sinatra Songbook in “100 Years of Sinatra,” a production enhanced by his Big Band, which includes some of the area’s finest jazz musicians from all generations:   Bob Parsons (alto sax/flute/arranger), Dave Karr (tenor sax), Bruce Thornton (baritone sax/bass clarinet), Mark Bobnick (trumpet), Steve Wagner (trumpet), Dave Graf (trombone), Gary Raynor (bass), Geoff LeCrone (guitar), and Jay Epstein (drums). Reservations highly recommended. A 2010 graduate of St. In March of 2015, he premiered his highly successful conception, “100 Years of Sinatra,” to two sold-out audiences at Chanhassen Dinner Theatres in the Twin Cities with the Andrew Walesch Big Band, and has since performed the show at Crooners, the Dakota, and back at Chanhassan.

Jazz Central All Stars Celebrate Horace Silver, January 13

Joining saxophonist Haining will be Steve Kenny on trumpet, Ted Godbout on piano, Chris Bates on bass and Jazz Central director Mac Santiago on drums. Among many projects, he has performed with What Would Monk Do, the Cedar Avenue Big Band, and Larry McDonough’s quintet (tribute to Chet Baker) as well as leading several editions of his own quartet. With support from a state arts board grant, he curated the ten-week “All Originals” jazz series at Studio Z for two summer seasons, continuing with a shortened schedule in summer 2016. Full schedule at http://jazzcentralstudios.org
 
 
 
  He founded the Explosion Big Band with Scott Agster in 2012. A versatile and active musician, Ted performs frequently as a jazz pianist and classical accompanist, as well as in funk, R&B, and rock bands. It gets in your blood easily; you can comprehend it easily. Chris studied at the University of Wisconsin–Eau Claire and later with Anthony Cox, was an original member of the Motion Poets, and a 1999 McKnight Composer Fellow. John’s University and an M.M. Horace Silver (credit unknown, All About Jazz)
Have no fear of Friday the 13th — at least not at Jazz Central Studios. He’s also known as co-founder of the Illicit Sextet, an ensemble popular in the 1990s before taking a long hiatus, and back in action for the past six years. “I often teach his compositions to my piano students who may not be familiar with jazz yet, as they lay really well on the piano, and have strong blues and gospel roots.”
 
Jazz Central All Stars
Doug Haining © Andrea Canter
Saxophonist/clarinetist Doug Haining is well known throughout the metro area for his swinging contributions to a long list of ensembles, as well as leading the Explosion Big Band with Scott Agster (performing monthly at Jazz Central), and leader of his popular smaller band, the Twin Cities Seven. Mac is author of   Beyond the Metronome, a text for both student and experienced musicians. Showtime 8-10 pm. “Horace Silver’s melodies are often fun and singable,” she told Jazz Police. In fall 2014 he launched the weekly Saturday Night Jazz at the Black Dog series, and in spring 2015, brought a similar series (Friday Night Jazz) to The Nicollet, recently rebranded and rescheduled as Thursday Night Jazz at Reverie. Soon he was playing at the Blue Note, and became a long-time recording artist for Blue Note Records, performing and recording with Getz, Lester Young, Miles Davis and Art Blakey. In addition to his long tenure with the Wolverines Classic Jazz Orchestra, he has played short stints with Red Wolfe’s Ellington Echoes and the Hall Brothers. After graduating from Idaho State University in 1980 with a Bachelor of Music, he toured for a few years before moving to the Twin Cities in 1983. Donation of $10 requested to support the venue and musicians.  
Jazz Central Studios is a nonprofit music and education space located at 407 Central SE in Minneapolis. It’s very rooted, very soulful.” Twin Cities pianist/educator Laura Caviani also regards Silver as a favorite. More recently Doug has been a member of the BellaGala Big Band and the ensembles Three Flights Up and Corner Jazz; he is often heard in local pit orchestras and performed in the recent production of The Soul of Gershwin at Park Square Theater. It sticks to the memory; it’s very singable. Steve Kenny © Andrea Canter
Steve Kenny studied at the University of Wisconsin-River Falls. “Discovered” by Stan Getz, Silver moved to New York in the 1950s where he switched his focus to piano. Mac Santiago © Andrea Canter
Drummer   Mac Santiago   is a familiar figure to Twin Cities jazz audiences as well as musicians. He recently revived another vibes trio, Low Blows, launched a trio with Joe Strachan and Matt Buckner (now with Miguel Hurtado), and curates a monthly improvisation series at Jazz Central, one Wednesday night per month. A graduate of the music program at St. It’s a FLUMPET™– a hybrid trumpet/flugelhorn.  
Horace Silver (1928-2014)
Horace Silver © Alan Nahigian
Considered the founder of “hard bop” –melding jazz, R&B and gospel, Horace Silver started out on tenor saxophone, playing in clubs in his native Connecticut. And that instrument he plays? His resume includes performing with Steve Allen, Don Rickles, Bob Hope and more, and with the orchestras for such touring shows as West Side Story, Cats, and A Chorus Line. Olaf College, where he studied classical clarinet, Haining has performed professionally for nearly 40 years. As a composer, he devised numerous jazz standards still played today.”
Bassist Christian McBride regarded Silver as favorite, telling NPR that “Horace Silver’s music has always represented what jazz musicians preach but don’t necessarily practice, and that’s simplicity. Currently on faculty at Chaska Music Studios and Augsburg College, Ted leads his own trio and appears regularly with PaviElle, Katia Cardenas, BDP, Nick Syman, and the Bill Simenson Orchestra. He holds a B.A. Steve has received a Minnesota Music Award, West Bank School of Music Jazz Composer award, and multiple honors as Best Jazz Trumpet at the Eau Claire Jazz Festival. He was one of four jazz artists to be awarded a composition commission from Zeitgeist, which was premiered at the 2014 Twin Cities Jazz Festival, and with Atlantis Quartet, shares a recent McKnight grant. in Jazz Studies from the University of Oregon. Led by Doug Haining, the Jazz Central All Stars salute the great pianist and composer, Horace Silver. With pianist Tanner Taylor, Mac established Jazz Central Studios in Minneapolis in 2010, a nonprofit setting for teaching, recording, and performing. Doug   founded the Twin Cities Seven in 1999, for which he writes compositions and arrangements. A native of California and son of the late percussionist Luis Santiago, he has been playing music professionally since age 16. Bassist Chris Bates is one of the area’s busiest artists, performing with the Atlantis Quartet, Red Planet, Framework, Leisure Valley, How Birds Work, Tall Tales, Bill Simenson Orchestra, Adam Meckler Orchestra, and many other cutting edge ensembles in addition to his own Good Vibes Trio and Red 5. Over his career, Mac has played in just about every possible configuration and genre, from touring with British rock band Badfinger to playing with area jazz, salsa, country and R&B bands; he’s performed in pit orchestras of the Guthrie and Minnesota Opera, with blues legend Mojo Buford, Grover Washington, Jr., Doc Severinsen, Dallas Brass, Savion Glover, Jack McDuff, Paul Bollenback, Dick Oatts and more. Ted also serves as Director of Music at Shepherd of the Hill Presbyterian Church in Chaska, MN. On All Things Considered (NPR),
Walter Ray Watson said, “As a bandleader, Horace Silver mentored some of the hottest musicians of his era. He’s often on the bandstand backing veterans and newcomers alike, and co-leads the Twin Cities Latin Jazz Orchestra. He has performed with such notable artists and groups as Ron Miles, Mark Colby, and the Harry James Orchestra. The Doug Haining Quintet released Last Man Swinging in 2011, and in April 2012 performed a tribute to Cannonball Adderley at the Artists Quarter as part of the Twin Cities Jazz Society’s Jazz From J to Z series. Ted Godbout @Andrea Canter
Pianist   Ted Godbout   has been building a reputation as a sympathetic accompanist for area vocalists as well as a creative composer and bandleader. in Music – Piano Performance from St.

Zacc Harris Trio: Live Recording at Vieux Carre’ January 12

He’s also curated the Jazz at Studio Z series for five seasons. Full schedule at http://vieux-carre.com His performance credits include the Atlantis Quartet, Zacc Harris Group, Debbie Duncan, Katie Gearty, Patrick Harison, Johnny Clueless, Park Evans, Monk in Motian, and the Fantastic Merlins, and he leads his own bluegrass band (Bluegrass Bandits). Vieux Carre’ is located in the lower level of the Hamm Building at 408 St Peter Street in downtown St. On January 12 (8 pm), the trio performs at Vieux Carre’ in downtown St Paul to make a live recording, which they plan to release this spring at the Riverview in honor of their ten years of collaboration. Zacc Harris © Andrea Canter
Guitarist Zacc Harris is a California native who came to Minneapolis about ten years ago from Illinois, where he graduated from Southern Illinois University. Peterson is also a music educator, teaching elementary K-5 students in the Edina Public Schools. Come early (6 pm) to hear another magical guitarist, Joel Shapira, in a solo set (no cover). Zacc Harris © Andrea Canter
“Harris delivers a sound that is lucid, clear… providing rich-sounding accompaniment and well crafted solos.” — Jazz Improv Magazine
Since he first arrived in the Twin Cities, guitarist Zacc Harris has led a trio at the Riverview Wine Bar, initially dubbed Luminesscene. Now as the Zacc Harris Trio, Harris, bassist Matt Peterson and drummer Pete Hennig have performed on Sunday nights at the Riverview for nearly ten years. In 2004, he relocated to the Twin Cities and quickly became a first-call bassist He regularly plays with the Zacc Harris Trio, the Jana Nyberg Group, the Twin Cities Hot Club, Mill City Hot Club, Robert Bell’s Hot Swing Combo, and Zacc Harris’ American Reverie. Matt Peterson © Andrea Canter
Originally a trombonist, Matt Peterson switched to bass while studying music at the University of Minnesota Duluth. In addition to leading the Zacc Harris Trio for nearly a decade at the Riverview Wine Bar, Zacc Leads the acclaimed Atlantis Quartet, Vital Organ, the Zacc Harris Group, and American Reverie trio; performs with Dean Granros’ Tall Tales, Adam Meckler Quintet and Babatunde Lea Quartet; is a founding producer at Shifting Paradigms Records; and teaches at Hamline University as well as private guitar lessons. Paul. Pete Hennig © Andrea Canter
Drummer Pete Hennig came to the Twin Cities to study at McNally Smith. $5 cover, cash only. Last winter, Zacc performed in the U.K., including a gig at the famed Ronnie Scott’s in London. After graduating he spent an additional three years studying with Dave King (Bad Plus, Happy Apple).

Solomon Parham Quintet with Eric Gravatt at the Black Dog, January 14

The Solomon Parham Quintet features a combination of youngish veterans and an older generation of masters, with leader/trumpeter Parham joined by trombonist Dave Graf, guitarist Dean Magraw, bassist Chris Bates, and internationally renowned drummer Eric Kamau Gravatt. Currently, Solomon teaches in the St. He shares a recent McKnight Award with his cohorts in the Atlantis Quartet. Over the past six years, Dean has co-led a monthly duo with percussionist Davu Seru at the Black Dog (first Tuesdays), more recently launched a duo with veteran drummer Eric Kamau Gravatt, leading to their CD release, Fire on the Nile, and in the past year has performed in duo with eclectic pianist Steven Hobert. No cover but donations (tip jar) appreciated to support the series and musicians (suggested $10). With the Black Dog hosting a special event earlier in the evening, the January 14th installment of Saturday jazz is pared down to one band at 8:30 — but there’s no diluting of the talent on stage. Paul Schools and directs jazz ensembles at Walker West Music Academy. One of his more recent collaborations has been as half of Valve Meets Slide, an ensemble with valve trombonist Brad Bellows. Dave Graf © Andrea Canter
Dave Graf is one of the most versatile and talented trombonists in the Twin Cities. He led a weekly “Solomon’s Sessions’ at The Bedlam (now closed), which he hopes to move to a new venue soon. He went on to join the fusion band Natural Life (with Bobby Peterson and Bob Rockwell), a move that brought him to the Twin Cities some 35 years ago. Solomon Parham © Andrea Canter
Trumpeter and educator Solomon Parham came to the Twin Cities from Detroit where he taught in public school and performed at Baker’s Keyboard Lounge. Solomon Parham © Andrea Canter
Most gigs on the Saturday Night Jazz at the Black Dog series feature two bands, an opening set at 7 pm (often a group of young artists or a new ensemble) followed at 8:30 pm by a veteran group. He recently revived another vibes trio, Low Blows, launched a trio with Joe Strachan and Matt Buckner (now Miguel Hurtado), and curates a monthly improvisation series at Jazz Central, one Wednesday night per month. In addition to performing, Dave teaches, writes, arranges, and works as a graphic designer. Eric Gravatt © Andrea Canter
An alum of the bands of McCoy Tyner, Joe Henderson, Freddie Hubbard and Blue Mitchell as well as Weather Report, Eric Kamau Gravatt essentially has had two careers in jazz with a couple decades of separation. Chris studied at the University of Wisconsin–Eau Claire and later with Anthony Cox, was an original member of the Motion Poets, and a 1999 McKnight Composer Fellow. In the early 70s, Miles Davis invited him to join his band, but Gravatt turned down the Prince of Darkness to follow Wayne Shorter into Weather Report, with whom he toured and recorded. Dean Magraw © Andrea Canter
Dean Magraw is one of the Twin Cities’ most eclectic musicians, with a career spanning more than three decades and multiple genres and cultures, from blues to classical to folk and jazz, from Japanese and Indian to Celtic and middle American. The music should help boost temperatures well above freezing! Paul Ragtime Orchestra, Mandala, and the Steve Wright Big Band. He’s released a series of recordings spanning his musical universe, including a duo with tabla master Marcus Wise, How the Light Gets In. Solomon recently completed his master’s degree at McNally Smith College of Music. He has performed with Dizzy Gillespie, Slide Hampton, Jack McDuff, the Toshiko Akiyoshi/Lew Tabackin Big Band, and the Woody Herman Orchestra, and has appeared on Prairie Home Companion and with the St. Weekly schedule at www.saturdaynightjazzattheblackdog.info. Dave had an eleven-year association with the late trumpeter Red Wolfe in his Port of Dixie Jazz Band and Ellington Echoes. Paul’s Lowertown; www.blackdogstpaul.com Only after retiring from Lino Lakes did Gravatt return to his calling, touring again with McCoy Tyner, performing with his band, Source Code, and engaging in some more experimental improvisations with metro area musicians including Bottomless Pit, Adam Linz, Brandon Wozniak, and, recently, Dean Magraw, with whom he released Fire on the Nile. Demands of family and a desire for financial stability took Gravatt out of fulltime music and into fulltime work as a guard at the Minnesota Correctional Facility in Lino Lakes. The Black Dog is located at 308 Prince Street in the Northern Warehouse in St. Saturday Night Jazz at the Black Dog is curated by Steve Kenny. In 2005 he released his debut recording as a leader, Just Like That (Artegra Records). He’s also performed with Delfeayo Marsalis’ Jazz for Kids, “Jazz and Jasmine Meets the Jazz Band,” Wessell Anderson, Eric Gravatt’s Source Code, and at the Twin Cities Jazz Festival, Artists Quarter, Dakota, Bedlam, Jazz Central and more. He’s worked in diverse musical settings, including Dixieland, swing (Twin Cities Seven), modern mainstream jazz (Source Code, X-Tet), salsa (Salsa del Soul) and Brazilian music, big bands (JazzMN Orchestra, Cedar Avenue Big Band), trombone ensembles (Locally Damaging Winds, Valve Meets Slide), and pit orchestras. Chris Bates © Andrea Canter
Chris Bates is well known locally for his affiliations with the Atlantis Quartet, Red Planet, Volcano Insurance, Framework, How Birds Work, Tall Tales, Leisure Valley, Pushing Chain, Bill Simenson Orchestra, Adam Meckler Orchestra, and many other cutting edge ensembles in addition to his own bands, the Good Vibes Trio and Red Five, both of which released debut albums in the past few years. In addition to leading his long-standing trio Red Planet (with Chris Bates and Jay Epstein), Dean has collaborated with many local artists at the Artists Quarter, Black Dog, Nicollet, Jazz Central, Studio Z, and more, including Brandon Wozniak, Bryan Nichols, Billy Peterson, Steven Hobert, Eric Gravatt, Davu Seru, and Kenny Horst. Like John Coltrane and long-time associate McCoy Tyner, he is a native of Philadelphia. He was one of four jazz artists to be awarded a composition commission from Zeitgeist, which was premiered at the 2014 Twin Cities Jazz Festival.

The Lead Sheet: Twin Cities Live Jazz, January 13-19

 
Big Gigs This Week
Friday, January 13. We must believe in spring! The weekend brings some unique and popular shows to the metro, and we end the week with the acclaimed trumpet/vocal pairing of Roy Hargrove and Roberta Gambarini. Roy Hargrove, coming to the Dakota with Roberta Gambarini, January 18-19 © Andrea Canter
Despite the bitter cold as we start the weekend, forecasters say it will warm up over the following days to reach almost balmy by the end of the week, and I think we can in part thank our local and visiting jazz artists for generating some of the heat! Read More! It’s a lucky Friday the 13th for jazz lovers: A group of “all stars” from the Jazz Central roster celebrate the great hard bop king Horace Silver on the Jazz Central Masters series. We could use a little “Peace” these days and I’m sure they will play it. An what better way to beat the deep freeze than with hot club mania? Gypsy Mania, that is, as the quartet swings at Hell’s Kitchen –Glen Helgeson on guitar, Gary Schulte on violin, Steve Pikal on bass and Jay Epstein on drums. Led by reed magician Doug Haining, the band includes Steve Kenny on trumpet, Ted Godbout on piano, Chris Bates on bass and Mac Santiago on drums. Star vocalists reign across the metro tonight! Always hip Patty Peterson and Friends return to Crooners Lounge; Debbie Duncan entertains with song and sass at Vieux Carre’ (following an early set from pianist Jeremy Walker); and velvet-voiced Ginger Commodore pairs up with suave Dennis Spears at the Dakota.

Oudyano: Minnesota Piano Meets Syrian Oud at Studio Z, January 14

“I heard Issam perform a solo show, and I introduced myself. in both Oud and Double Bass performance, as well as Oriental Conducting, from the High Institute of Music in Damascus. We got together and instantly had a music connection– after a few notes! Steven Hobert © Andrea Canter
Originally from Hartland, Wisconsin, pianist/accordionist/composer Steven Hobert recalls that he “would noodle around on the piano and just make things up, maybe even as young as middle school.” Initially Steven was introduced to improvisation because he “needed to learn to read chords to play in a rock band.” He was inspired by the music of Bela Fleck as well as world music. He also served on the faculty at the institute teaching Oud. Now based in the U.S., Rafea was Chair of the Arabic Music Department at the High Institute of Music in Damascus and the principal conductor of the Syrian National Orchestra for Arabic Music. 4th Street in St. But it was the music of Keith Jarrett, particularly his solo improvisation concerts, that influenced Steven’s decision to pursue piano improvisation at the University of Wisconsin Eau Claire, as it allowed him to express himself through uninhibited creativity. Oudyano (photo courtesy Volume One, Chippewa Valley)
Oudyano. In Syria, Rafea was an active composer and arranger for television and theater since the 1990s, winning the 2010 “Best Composer Award” at the Dubai International Film Festival (Muhr Arab) for “September Rain” in the film,   Matar Ayloul. Tickets $10 in advance at http://www.studiozstpaul.com/oudyano-011417.html; $12 at the door. I started booking some shows for us here.” Steven admits that the piano/oud combination is not common. I loved his open ear and improvising, and I heard some influences of Western music, I heard jazz and the blues in his music. Rafea studied under Fayez Zahr El-Din, Aref Abdallah, and Askar Ali-Akbar, receiving a B.A. The duo of Twin Cities pianist Steven Hobert and Syrian oud player Issam Rafea might seem like the “odd couple”, but the pair have performed several times over the past year with surprisingly beautiful results. “I had heard very little oud or any Arabic music,” said Steven in a recent interview on the KBEM edition of The Lead Sheet. Steven and Issam met at one of Issam’s first solo concerts in the Twin Cities about a year ago. He also served as music director for vocal ensemble Five By Design. with the Glenn Miller Orchestra. He’s also collaborated with British rock band Gorillaz. In March 2013, Rafea was invited to the United States to direct the Middle Eastern Music Ensemble at Northern Illinois University School of Music. East meets West at the intersection of melody and a soulful searching among all those notes! Oudyano (Issam Rafea and Steven Hobert)
Jazz and world music delightfully collide this weekend (January 14) in the music of Oudyano at Studio Z in St Paul. Issam Rafea © Adrian Nastase
Oud virtuoso, improviser, and composer   Issam Rafea   was born in Kuwait and studied in both Kuwait and Syria. While in Illinois, Rafea performed with guitar virtuoso Fareed Haque in multiple cross-cultural collaborations. So Issam does things I just can’t do on the piano. After graduation, Hobert performed with symphony orchestras from Calgary to Buffalo, played on cruise ships, and spent a year touring Japan, Canada and the U.S. Rafea has performed internationally in France, Spain, Germany, Holland, Italy, Morocco, Iraq, Lebanon, Egypt, Turkey, Kuwait, and United States, and in festivals such as the Mediterranean Festival in Algeria, the World Universal Expo in Seville, Spain, Spiritual Music Festival Marseille, France, The Arabic Music Conferences in Cairo, and Babel Festival in Iraq. Hear Andrea Canter’s interview with Steven Hobert about Oudyano on KBEM’s On Demand podcast at   http://kbem.podbean.com/e/lead-sheet-1-12/ “The piano is not typical in traditional classical Arabic music — the piano has the 12-note Western scale, while Arabic music has a lot more notes that you can’t get on the piano. In addition to Steven Hobert, Rafea has performed locally with avant garde guitarist Chris Cunningham at Khyber Pass. But 12 notes is still a lot!”
Indeed, hearing the two improvisers find uncommon common ground is a joyful experience.  
Oudyano performs at 7 pm on January 14 at Studio Z, on the second floor of the Northwestern Building at 275 E. Paul’s Lowertown, a block east of Union Depot. Currently Steven leads FireFly Forest and the Steven Hobert Quartet, plays accordion in Lulu’s Playground and piano with the Adam Meckler Orchestra, works in duo with saxophonist/flautist James Kellerman and guitarist Dean Magraw, and generally works as a freelance musician and teacher of piano, accordion and woodwinds.

Paul McCandless and Charged Particles at the Dakota, January 16

He has appeared on stage in duets with pianist Art Lande and recorded the CD Skylight with him for ECM Records. Paul Chamber Orchestra, and the Philadelphia, Buffalo, Los Angeles, and Stuttgart Symphony Orchestras. He has been a guest musician with Béla Fleck and the Flecktones (appearing on the 2002 album Live at the Quick) and has toured with tabla artist Sandip Burman.   Another recent performance included accompanying vocalist Kevyn Lettau singing her compositions in Los Angeles, and performances in the Los Angeles area with guitarist George Benson’s musical director, keyboardist David Garfield.   The band’s energy level is always high, even when they are cooking at a volume no louder than a whisper, or floating through the melody of a romantic ballad. Performing compositions from his solo recordings,   McCandless is playing this music for the first time in 20 years. Paul McCandless
Still active in classical music, Paul has performed as soloist with the Camerata Chamber Orchestra of Mexico City, the St.   Today, he says he’s lucky not to have won those auditions, because a victory would have pulled him into the world of full-time classical performing, and he would have missed out on the rich life he’s had in jazz. The music covers a wide range of genres from swingin jazz and funky fusion to romantic ballads and purely improvised adventures. All of the trio’s music has a distinctly acoustic sensibility, despite their use of both electric and acoustic instruments. The group’s small size allows for sensitivity and spontaneity among the players, making each performance an enchanting improvisational exploration. Charged Particles: Aaron, Murray and Jon
The trio’s repertoire blends jazz with elements of Latin music, funk, classical music, and other genres. The Dakota is located at 1010 Nicollet Mall in downtown Minneapolis.   The group’s second CD, Sparks, was released in late 2002 on BOPO Records, receiving airplay on nearly 100 radio stations within two weeks of its release, and has gained attention from critics in many American publications and in magazines as far away as England, Denmark, and Japan. “Round Robin,” the opening track, received two 2001 Grammy nominations for Best Instrumental Composition and Best Instrumental Arrangement
Over the years, he has released a series of recordings of his own compositions, also leading the bands on All the Mornings Bring (1978, Elektra/Asylum Records), Heresay (1988, Windham Hill Records), Navigator (1981, Landslide Records), and Premonition (1992, Windham Hill Records). Highlights for the band in recent years have been a performance on the main stage of Yoshi’s San Francisco jazz club accompanying French Vietnamese guitarist Nguyen Le playing his compositions, as well as the performance there with Paul McCandless. Best known for his involvement in the original Paul Winter Consort and the innovative quartet OREGON, McCandless is a gifted multi-instrumentalist who plays soprano, tenor, and sopranino saxophones, oboes, English horn, bass clarinet, penny whistles, and a collection of folk flutes.  
Paul McCandless
Known for soaring lyricism and gorgeous compositions, Paul McCandless has enjoyed a career spanning over four decades and more than 30 recordings. Along with fiery drummer Jon Krosnick, these players are making some of the most electrifying jazz in the country today. The event was captured on Hommage a Eberhard Weber (2015, ECM Records).   The group’s one-hour live performance drew wide attention and opened the door to performances at festivals and clubs around the world. Charged Particles   made its public debut on National Public Radio Affiliate WDET’s live performance program, “Detroit Jazz Alive”, originating in Detroit, Michigan. Trained at the Manhattan School of Music, he was a finalist in the 1971 English horn auditions for the New York Philharmonic.  
Charged Particles
Charged Particles © Moe Gardere
Celebrating their 25th anniversary, Charged Particles   features three of the country’s virtuosos playing jazz while crossing stylistic boundaries and blending diverse traditions to create engaging new sounds.   The CD received airplay on over 200 jazz radio stations nation-wide and was praised by national jazz critics in such outlets as Jazziz Magazine, Jazz Times Magazine, Jazz and Blues Report, Pulse! In 1996, Paul won a Grammy for Best Pop Instrumental with Béla Fleck and the Flecktones, and won Grammys in 2007 and 2011 with the Paul Winter Consort for Best New Age Album. Aaron Germain is an inventive and sophisticated acoustic and electric bassist. Paul was a featured soloist alongside Pat Metheny and Gary Burton in “The Great Jubilee Concert”, a huge tribute event in Theaterhaus Stuttgart in 2015 celebrating the music and the career of the legendary German bassist Eberhard Weber.   The group’s original compositions are mixtures of complex orchestration and elaborate improvised solos. Magazine, and many more.   Paul’s performance on OREGON’s “1000 Kilometers” was nominated for a Grammy for Best Jazz Instrumental Solo in 2009. Charged Particles have performed at Yoshi’s in San Francisco, Vitello’s in Los Angeles, Café Cordiale in Sherman Oaks, and the historic Lighthouse in Redondo Beach, as well as at the Houston International Jazz Festival, Kennedy Center in Washington, DC, the Orange County Arts and Jazz Festival, the Midwest Jazz Heritage Festival, the Trenton Jazz Festival, the King Cobra Jazz Festival, and a tour of Sweden. Murray Low is a keyboard wizard with dazzling Latin jazz technique and imaginative improvisational skills. More about Paul McCandless at http://paulmccandless.com
   
Reservations for Paul McCandless with Charged Particles highly recommended at 612-332-5299 or www.dakotacooks.com. Paul McCandless with OREGON
As a collaborator and solo artist, Paul has performed on more than 200 albums and appeared with such renowned all-star musicians as   Pat Metheny,   Jaco Pastorius, Wynton Marsalis, Lyle Mays, Mark Isham, Steve Reich, Al Jarreau, Bruce Hornsby, Art Lande,   Carla Bley,   Tony Furtado, the String Cheese Incident, Nguyen Le, Proteus 7, Fred Simon, and many more.   In addition to its own headline performances, the band has opened for national recording artists such as Stanley Jordan, Yanni, and Al DiMeola, and the group has had such international mega-star drummers as Peter Erskine and Dennis Chambers and percussionist Doc Gibbs sit in with them.   A performance by the group was included on the compilation CD,   The Columbus Collection, featuring outstanding jazz artists from Columbus, Ohio, released in 1996. Paul’s compositions have been featured in a number of film scores, most notably, Squanto and the First Thanksgiving, a Rabbit Ears Production, with Graham Greene as narrator. He also was a guest of Leftover Salmon and the String Cheese Incident multiple times in the late 1990s. After 18 years based in Ohio, Charged Particles   was reborn in California in 2011. Paul also appears on two of Weber’s CDs as a leader.   Each piece they play brims with the fun the players have together and with the admiration they have for each other.   Charged Particles   are a treat to hear! With OREGON, Paul has recorded 28 albums, in addition to 7 with Paul Winter.   The band brings a similar approach to arrangements of covers and traditional jazz standards, each played with a new twist. Of the band, reviewers have said: “An electrifying, push-the-limits performance style… A tight and enormously talented trio” (Jazz Times); “Charged Particles is definitely dazzling” (Jazz and Blues Report); “Fresh, energized contemporary jazz that showcases the trio’s individual technical mastery as well as a cooperative, refined approach to the art form” (Jazz News Magazine); and “Tight interplay was the watchword as the threesome took difficult fusion themes and applied its own twists with spark and personal flair” (Los Angeles Times). Paul McCandless
(Adapted from press releases)
Grammy Award winner and world-renowned multi-instrumentalist Paul McCandless (Paul Winter Consort, Oregon) joins forces with Bay Area trio Charged Particles on an international tour, arriving at the Dakota in downtown Minneapolis on Monday, January 16 (7 pm). In 1994,   Charged Particles   released its first CD, on Schoolkids Records. The McCandless/Charged Particles project brings new life to McCandless’ repertoire of original compositions from his solo albums, infusing the music with a fresh twist and new energy. Paul McCandless and Charged Particles at Yoshi’s SF
The quartet premiered their collaboration on the main stage at Yoshi’s San Francisco, and have since appeared at Birdland in New York City, Blues Alley in Washington, DC, the Stanford Jazz Festival, the San Luis Obispo Jazz Festival, the Erie Pennsylvania Blues and Jazz Festival, the Deer Head Inn near Philadelphia, and many other venues.   Three of Paul’s orchestral scores are heard on the recording Oregon in Moscow, featuring OREGON and the Moscow Tchaikovsky Orchestra.